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How to Make a Clay Tile Backdrop For a SculptureSymmetrical Tiles Adhered in Formation Create a Patterned Background
Mathematically constructed tile work creates a patterned background into which a sculpture that tells the story of St. Elizabeth is positioned.
Although the background for the sculpture of the Miracle of The Roses looks complicated, it is relatively easy to make and the process only requires the simplest of materials. The design comes from the life story of Elizabeth of Hungary. The painting is the design for a sculpture, which will have a background constructed from meticulously planned symmetrical tile work. These instructions are for making the tiles. Materials ListTo get started on the basic tile production artists will need
Drawing up the DesignDownload a very simple black master of a rose from the internet, such as this one from About.com - Homeschooling, and cut it into quarters. Photocopy one of the quarters four times. Centre and glue these together around an axis point. Once the four pieces have been glued together, go back to the design and see where it does not quite match. Match and manipulate this design until the four quarters match perfectly. Once the students are sure that the quarters will centre perfectly, they can transfer the design onto a slab of clay. Perseverance When Making Rose PiecesThe drawing and design stage may take quite a while for some students. Persevering until the rose pieces match exactly is not always easy. To make this pattern work a leaf was extended and modified. To bring rhythm to the design, one of the leaves was manipulated so that it would overlap the leaf beside it. The design must be kept very simple so that it can be etched onto the clay. Once the design can be assembled into the four cornered pattern with ease, begin the preparation of the clay. Making the TilesUse a very sharp clean skewer to trace the design onto a slab of clay cut to size.
Assembling the Clay Tile DesignOnce the tiles have been made, they can be adhered to the sculpture backing board. Assemble each quartet design one at a time. As the pieces are assembled a bigger picture pattern will emerge. Here you see the tiles placed in front of the painting. Once the tiles are created and fired, decide with the class whether to glaze or to paint and varnish the tiles. This way of making a clay tiled wall is simple, easy and effective. Because the process can be broken into steps and stages many students can be involved, whilst at the same time the success of the project is ensured.
The copyright of the article How to Make a Clay Tile Backdrop For a Sculpture in Visual Arts Education is owned by Jo Murphy. Permission to republish How to Make a Clay Tile Backdrop For a Sculpture in print or online must be granted by the author in writing.
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